Two of my little Tapestries are in current expositions. Here they are with an image of their installation. I won’t be able to get to either exhibition—my work seems to travel more that I do— but I’m excited to be included in each!
“Have a Cup of Tea with Me” is in the ATA (American Tapestry Alliance) exhibition, “The Biggest Little Tapestries in the World!” in Reno NV. This piece will be included in the exhibition catalog.
“…and She Looked out the Window” is in the Webster Arts Gallery‘s exhibit, “Warp and Weft”, in Webster Groves, Missouri.
I’m new to tapestry weaving and am thankful to both organizations for giving me a chance to exhibit my work!!!
Off to Virginia to stay with Fletcher and Cooper while their parents were away and I took my Hokett Loom, yarns and design materials. I knew the boys would have their noses in the World Cup and I would have time to indulge in weaving.
I pack my weaving supplies in translucent bags that all fit into a larger bag. One for my Hokett with the tray I use it on, one for a selection of yarns and one for little bits of equipment. My design supplies go in a small shoulder bag with watercolors, sketchbooks etc. With these two bags I could set up a little studio space and was set!
Got out my sketchbook and watercolors and came up with my design. I’ve been sketching trees and leaves lately so decided on stylized leaves. Next to warp my little loom and prepare my weft yarns. I did bring the little spinner thing that I got from Rebecca Mezoff to un ply my Harrisville yarns. BUT… my design called for black and I forgot that while I needed to un ply the blue and green yarn, I needed to double the black and didn’t bring enough… You can see where I ran out of black yarn in the image above!!! Always something!!!!
I did have more black at home and was able to finish!!! So all is well with one part of my world, at least…
Moore College of Art reunion yesterday – brunch in the am – workshops in the afternoon…and the 2018 Distinguished Alumni Awards presentation, (my friend and former student Harshia Lohia received an award as did Janice Merendino) followed by the Alumni Exhibition Opening in the evening.
I signed up for “Art Forms in Nature” workshop lead by Karen Fuchs which I thought was going to be drawing but instead was a discussion of forms and patterns found in nature followed by stamping designs with supplied food – cut lemons, garlic, cabbage, etc. – Pretty basic stuff but we had a lot of fun. Here are some of my results:
Well, I’ve taken the little looms class and attended the little looms workshop in the mountains of Colorado- both with Rebecca Mezoff. I’ve done a number of small tapestries on my Hokett looms and felt I knew what I was doing enough to sign up for the Unjuried Small Format Tapestry Exhibition through the American Tapestry Alliance. I worked on my design, did some samples on my 8 epi Hokett and ordered yarns from Harrisville. I thought I had simplified my design and thought Harrisville would be good as I do know I’m a beginner. WELL, the real world works to keep me humble. I still like my design, but should have explored more ways to do the veins in the leaves. There are slits all over the place to the point of making it unstable. I’ll try stitching them but…
Anyway, here’s my process – I do still like my design and will rework it after I pick my self up… I may do a series – I like the simple concept of friendship and nature. I call this one, “Have a Cup of Tea with Me”.
I had a watercolor sketch that I had done of leaves in a jar and liked it’s spring like quality and colors. I selected my colors based on it and ordered them – it was exciting when they arrived!!! Much of my work is with low chroma colors so these bright hues were a big deal for me!
I knew the watercolor was beyond my abilities as this was my first real tapestry so I redrew it, cropping in and eventually cropped in a lot more. I wanted this to be a friendly, cosy, spring like design, so the jar changed to the suggestion of a cup of tea. I then scanned the color sketch and redrew it in Illustrator to flatten it and to simplify it even more. Once sized, that became my cartoon.
I made samples. First, testing how yarns could mix to extend the colors I have, then adjusting the values of the greens to get the feeling of the tea cup under the leaves and finally exploring various angles I could achieve. I considered weaving this side ways, and perhaps I should have but I thought I could get away with a vertical design as I wanted the texture to be vertical and not horizontal.
Finally I got started. I had warped my new loom when I got it to make sure I understood how. I didn’t use the shedding device as I used my fingers and it doesn’t seem to make a very large shed anyway. Also when I attached the cartoon to the back it made the shedding device unusable. I attached it with some bag clips from my kitchen – need to research how others do this. I re did section after section as I began to understand how the weft packed down – think I might be packing too hard??? My main problem was the vein lines in the leaves. My original design didn’t have them but I felt they were important to describe the leaves. I tried different blues (limited to the blues I have) and eccentric lines, and wrapping a single warp yarn. I ended up using anything that seemed to work – resulting is a fabric with too many slits. I thought I could stitch the slits but there is a problem with the wrapped warps – perhaps if I had stitched as I went along…but I didn’t. When it lies flat the problem doesn’t show but when I took it off the loom…
So, I have a lot to learn and I learned a lot.
Spent Friday afternoon at The Wagner Free Institute of Science drawing from their extensive collection of birds. This museum is one of the lesser known gems of Philadelphia and my friend Jane and I had the place nearly to ourselves—Snowy Owls, Turkey Buzzards, Sparrows—you name it—they seem to have it—all set in natural poses.
Jane is taking a course at PAFA with live birds as models and wanted to brush up on her bird anatomy with some that held still. I tagged along. A wonderful afternoon—and humbling. With all my work trying to meet a deadline for a tapestry project, I haven’t been sketching … bit rusty …
But these make me think of spring.
Beaks are hard—each has it’s own personality.
Love how they displayed the spread wings.
Reminds me of summer—down the shore.
We’ll be back!
Imperfect Gallery had a exhibition “An All Women Show” and I wasn’t going to enter as I have a problem with being labeled a “Woman Artist” I am a woman and I am an artist but while each influences the other, I don’t feel they define each other. But as it got closer I decided to get over my self and enter as I really like supporting this small wonderful gallery that is doing so much for my neighborhood.
I had dyed this camisole previously and had been thinking how to display it. It developed from my rusty dyeing for stitches project but while I really liked it it did not stand on its own. I liked the references to time and decay that the dyeing with metal gears gave and wanted to develop that theme. After applying it to a distressed canvas with bits from old linen formal napkins that had belonged to my grandmother, I added the clock gears and hands – they had belonged to my grandfather. These references to family history, for me, added to the sense of time and things lost.
I got it just in the nick of time and was glad I entered.
“Time Takes its Toll”
I’m pleased with how it turned out and would eventually like to show it along side pieces from my “Stitches, not Words” project.