Preparing Painting Surfaces

July 18th, 2018

Spent part of this afternoon preparing painting surfaces for week long painting workshop I’ll be attending in August with Susan Abbott in VT. I’m excited about this work shop as I’ve wanted to study with her for a while now but the timing never worked out.

Image of canvas with start of a light ground Image of finished ground

First I made sure I have wet canvas carriers for the boards and canvases I plan to take. Can’t carry wet paintings home in the back of a packed car… Once that was settled, Burnt Sienna paint thinned with solvent was applied to the surface which was then rubbed with a soft rag, leaving this light toning as a starting background. Previously I’ve applied a med grey opaque layer of paint when I wanted to not start with a glaring white surface. This is Susan’s suggested method and I think I’ll like it better.

Image of drying surfaces Image of more drying surfaces

This is going to be a two part project as I only have so much space to let them dry for several days and I have more to do.

Expositions

July 15th, 2018

Two of my little Tapestries are in current expositions. Here they are with an image of their installation. I won’t be able to get to either exhibition—my work seems to travel more that I do— but I’m excited to be included in each!

Image of tapestry  weaving Image of tapestry  weaving

“Have a Cup of Tea with Me” is in the ATA (American Tapestry Alliance) exhibition, “The Biggest Little Tapestries in the World!” in Reno NV. This piece will be included in the exhibition catalog.

Image of tapestry weaving Image of tapestry  weaving

“…and She Looked out the Window” is in the Webster Arts Gallery‘s exhibit, “Warp and Weft”, in Webster Groves, Missouri.

I’m new to tapestry weaving and am thankful to both organizations for giving me a chance to exhibit my work!!!

Weaving on the Road…

June 28th, 2018

Off to Virginia to stay with Fletcher and Cooper while their parents were away and I took my Hokett Loom, yarns and design materials. I knew the boys would have their noses in the World Cup and I would have time to indulge in weaving.

Image of a weaving studio in a bag

I pack my weaving supplies in translucent bags that all fit into a larger bag. One for my Hokett with the tray I use it on, one for a selection of yarns and one for little bits of equipment. My design supplies go in a small shoulder bag with watercolors, sketchbooks etc. With these two bags I could set up a little studio space and was set!

Image of my temporary studio Image of when I ran out of black yarn

Got out my sketchbook and watercolors and came up with my design. I’ve been sketching trees and leaves lately so decided on stylized leaves. Next to warp my little loom and prepare my weft yarns. I did bring the little spinner thing that I got from Rebecca Mezoff to un ply my Harrisville yarns. BUT… my design called for black and I forgot that while I needed to un ply the blue and green yarn, I needed to double the black and didn’t bring enough… You can see where I ran out of black yarn in the image above!!! Always something!!!!

Image of finished weaving

I did have more black at home and was able to finish!!! So all is well with one part of my world, at least…

Playing with Food!

June 10th, 2018

Moore College of Art reunion yesterday – brunch in the am – workshops in the afternoon…and the 2018 Distinguished Alumni Awards presentation, (my friend and former student Harshia Lohia received an award as did Janice Merendino) followed by the Alumni Exhibition Opening in the evening.

I signed up for “Art Forms in Nature” workshop lead by Karen Fuchs which I thought was going to be drawing but instead was a discussion of forms and patterns found in nature followed by stamping designs with supplied food – cut lemons, garlic, cabbage, etc. – Pretty basic stuff but we had a lot of fun. Here are some of my results:

Image of printed marks Image of printed marks Image of printed marks
‘Twas fun!

Abstraction workshop

May 23rd, 2018

Decided I needed to get back to painting and to try a new direction. Val Rossman‘s course, “Exploring Abstraction” at Woodmere was just the kick I needed. She let’s members use what ever media they wish and encourages each to explore their own path. I decided that since abstraction was out of my comfort zone, why not go all the way and explore new media. Sooo…, the first three weeks I worked in pastels and the second in acrylics. Also, since I tend to be a low chroma gal I thought I’d push color. Here are 3 of my first pastels:

image of work in pastel image of work in pastel image of work in pastel

All my professional life has been about telling stories. Now there is no story. Just paint what I am feeling. I work fairly fast, before I can think about things – ideas – content… and then once something is there I consider composition etc. I’ve used scratching, glazing, thick medium. I usually gesso the support first in colored gesso and then paint over it.

The last three weeks I decided to work with acrylics and here are some of them:

Image of Work in acrylic Image of Work in acrylic image of work in acrylic Image of Work in acrylic

Once I get over the feeling of being cut loose with out any plans etc, this is rather fun! Some of these images may be finished and some may get more work. The more I do, the more I learn, the less I know, but, I do feel they do have voices. I just have to learn to listen. I have one more class to go. Then I plan to add this new way of working/thinking to my previous work. We’ll see.

Sketching Tulips

April 6th, 2018

Been tied up with weaving for a while and felt I needed to get back to sketching. These tulips (from a super market, not my garden) were on their last legs (stems) and I loved their nearly spent – never give up enthusiasm.

Image of tulip Image of tulips
Watercolor and ink