Two of my little Tapestries are in current expositions. Here they are with an image of their installation. I won’t be able to get to either exhibition—my work seems to travel more that I do— but I’m excited to be included in each!
“Have a Cup of Tea with Me” is in the ATA (American Tapestry Alliance) exhibition, “The Biggest Little Tapestries in the World!” in Reno NV. This piece will be included in the exhibition catalog.
“…and She Looked out the Window” is in the Webster Arts Gallery‘s exhibit, “Warp and Weft”, in Webster Groves, Missouri.
I’m new to tapestry weaving and am thankful to both organizations for giving me a chance to exhibit my work!!!
I have been exploring natural dyes with my Harrisville Koehler Yarn to use in mixed bundles for my tapestry. These small balls were dyed with madder, and iron & black tea.
Samples of dyeing with madder, and with rusty iron and tea
The one on the upper right is just iron and tea in a jar left to set for days. The others use madder from a plant I grew and harvested years ago. The top left ball is pre mordanted with alum and a bit of cream of tarter – the lower left was a mixture of iron, tea, and madder all together, the lower right was pre mordanted with alum, then soaked in the just the tea/iron mix for days and then into the madder dye overnight.
I’m not going for exact dye recipes as I did years ago but rather letting the magic take me where it does. And it is magic!!!
Well, I’ve taken the little looms class and attended the little looms workshop in the mountains of Colorado- both with Rebecca Mezoff. I’ve done a number of small tapestries on my Hokett looms and felt I knew what I was doing enough to sign up for the Unjuried Small Format Tapestry Exhibition through the American Tapestry Alliance. I worked on my design, did some samples on my 8 epi Hokett and ordered yarns from Harrisville. I thought I had simplified my design and thought Harrisville would be good as I do know I’m a beginner. WELL, the real world works to keep me humble. I still like my design, but should have explored more ways to do the veins in the leaves. There are slits all over the place to the point of making it unstable. I’ll try stitching them but…
Anyway, here’s my process – I do still like my design and will rework it after I pick my self up… I may do a series – I like the simple concept of friendship and nature. I call this one, “Have a Cup of Tea with Me”.
I had a watercolor sketch that I had done of leaves in a jar and liked it’s spring like quality and colors. I selected my colors based on it and ordered them – it was exciting when they arrived!!! Much of my work is with low chroma colors so these bright hues were a big deal for me!
I knew the watercolor was beyond my abilities as this was my first real tapestry so I redrew it, cropping in and eventually cropped in a lot more. I wanted this to be a friendly, cosy, spring like design, so the jar changed to the suggestion of a cup of tea. I then scanned the color sketch and redrew it in Illustrator to flatten it and to simplify it even more. Once sized, that became my cartoon.
I made samples. First, testing how yarns could mix to extend the colors I have, then adjusting the values of the greens to get the feeling of the tea cup under the leaves and finally exploring various angles I could achieve. I considered weaving this side ways, and perhaps I should have but I thought I could get away with a vertical design as I wanted the texture to be vertical and not horizontal.
Finally I got started. I had warped my new loom when I got it to make sure I understood how. I didn’t use the shedding device as I used my fingers and it doesn’t seem to make a very large shed anyway. Also when I attached the cartoon to the back it made the shedding device unusable. I attached it with some bag clips from my kitchen – need to research how others do this. I re did section after section as I began to understand how the weft packed down – think I might be packing too hard??? My main problem was the vein lines in the leaves. My original design didn’t have them but I felt they were important to describe the leaves. I tried different blues (limited to the blues I have) and eccentric lines, and wrapping a single warp yarn. I ended up using anything that seemed to work – resulting is a fabric with too many slits. I thought I could stitch the slits but there is a problem with the wrapped warps – perhaps if I had stitched as I went along…but I didn’t. When it lies flat the problem doesn’t show but when I took it off the loom…
So, I have a lot to learn and I learned a lot.
Imperfect Gallery had a exhibition “An All Women Show” and I wasn’t going to enter as I have a problem with being labeled a “Woman Artist” I am a woman and I am an artist but while each influences the other, I don’t feel they define each other. But as it got closer I decided to get over my self and enter as I really like supporting this small wonderful gallery that is doing so much for my neighborhood.
I had dyed this camisole previously and had been thinking how to display it. It developed from my rusty dyeing for stitches project but while I really liked it it did not stand on its own. I liked the references to time and decay that the dyeing with metal gears gave and wanted to develop that theme. After applying it to a distressed canvas with bits from old linen formal napkins that had belonged to my grandmother, I added the clock gears and hands – they had belonged to my grandfather. These references to family history, for me, added to the sense of time and things lost.
I got it just in the nick of time and was glad I entered.
“Time Takes its Toll”
I’m pleased with how it turned out and would eventually like to show it along side pieces from my “Stitches, not Words” project.
Rebecca Mezoff has had a Valentine challenge for the past two years. And for the past two years I have been late but did get them done in February…
They were fun to do – used my Hokett loom and realized each time I incorporated my handspun. (Not the red and purple.) I still am working on curves and still have a long ways to go… but when I cut a warp off this little loom I put a new one on so it’s there waiting for me.
Thought I’d end up getting a Mirrix loom but not for a year or so – then when I joined ATA I saw that I’d get 10% off if I got one within three months – so I figured I needed to see how it went sooner but then I saw they were having a 20% off on the one I wanted…so my cheap little heart spent money to save money… and guess what came today!!!
In the mean time I thought I’d review basics as I know more in my brain than in my fingers and while I’d like to experiment with my 6 epi loom at 12 epi, I was still waiting for 20/6 warp which has not been available for several months – so I warped up my 8 epi and experimented with different wefts etc.
Been experimenting with Harrisville Highlands yarn and planning to place an order as I’m weak on spring colors – yellows, greens etc.
About 30 min after the Mirrix came I got an email from The Woolery that my 20/6 warp has been shipped. Opps – with this warp I want finer Weavers Bazaar yarn….. What’s a girl to do???