Archive for February, 2013

Print Workshop

February 24th, 2013

printing inks Printing Press

Attended a reunion at Moore College of Art and Design yesterday and took a Relief Printing workshop with Katie VanVliet, founder of BYO Print. Pretty crowded with 16 students in a space with three presses but Katie and her assistants did a wonderful job. They had a number of relief objects to work with—various dimensional textures, old advertising letterpress blocks, letter stamps, etc. We could use any of the presses or print by hand with Japanese Barens. I experimented with both.

prints Print

The first is a study done on the press above. I taped small bits of wood together and inked them with mixed colors. As the presses were in demand, I did my second design by hand starting with a letterpress block showing a print workshop. Other letterpress blocks, bubble wrap textures, and letter stamps added to the happy chaos I felt in the workshop. I like the contrast between the first more orderly and the second more energetic designs.

Tomorrow is the last day of my painting class. I have signed up for the second session as I think the studying by copying existing work is helping me a great deal. I really don’t want to be doing that and having someone expect it of me and be there to crit my progress is important. I’m looking forward to warmer weather and going outside on my own… we’ll see.

The painting and the printmaking complement each other—my painting currently is more representive and the printmaking more abstract.

Painting

February 12th, 2013

Palette and brushes

Palette, Rags and Brushes

I’ve decided to get serious about my painting and since it has been so long since I’ve worked with oils, I’m taking a class at Woodmere. The class I signed up for was canceled and I was offered this one which is turning out for the best. The instructor is having me drop back and copy the work of other artists to practice skills etc. And while I’m chaffing at the bit to jump right in, I can see my work getting better. It forces me to slow down and think about the decisions others made when they painted their originals—how they handled the paint, depth, color etc. Things I know in my head but my hands don’t necessarily do what I want the first go. I’m working with landscapes and looking forward to applying what I’m learning to my own work. I’m excited and anxious about this which is a good place to be.

Some paintings from workshop.