Archive for August, 2019

Washing Paper!

August 30th, 2019

I was tearing some large sheets of Arches 300 lb. watercolor paper to work with next week and remembered a little sketch book I made with that paper several years ago. It’s a simple accordion structure and I wanted to have it to sketch things in my garden. Wanted heavy paper so I could work on both sides of the accordion pages. I hadn’t worked with paper that heavy and my watercolor didn’t take to the paper very well. It made an interesting texture but wouldn’t do what I wanted. I was busy and set it aside.

Image of Accordion Book

Today I remembered reading (John Pike’s book, “Watercolor” that had belonged to my mom) about heavy watercolor paper having a sizing on it that might be washed off, so… I washed my paper. Just a simple run through with slightly warm water and then gently sponged off with a clean soft sponge. When the water first hit the paper it beaded up like crazy but after the sponging, nothing! No rubbing or soaking, just a gentle sponging to remove the excess water. Then laid on paper towels to dry.

Also did a quick test strip—just rinsed and sponged half the strip. When dry I took a brush full of watercolor and swooshed over both washed and unwashed areas. On the blue sample I also did a dab of color on each side.

Image of washed paper test strips

Mystery solved! Now I need to rinse my book without making a mess or messing up the existing sketches. A job for another day. But I did wash my prepared papers today!

Thought I’d share this as others might run into the same thing. I’ve studied watercolor formally years ago in school but then I used lighter weight paper that I stretched on a board. Since then I’ve used water color blocks of about 140 lbs. as I mostly take them for quick sketching. Other than my early work I’ve been mainly self taught in this media and missed this bit of the watercolor world! Always something…

Maine Painting Retreat

August 19th, 2019

Just came back from a wonderful week long painting retreat with Michael Chesley Johnson in Maine—way Downeast in Lubec Maine and in Campobello Island in Canada. I took a workshop with Michael years ago. It was good to see him again!

Image of Michael Chesley Johnson Image of Painting setup in Maine
Michael Chesley Johnson demo and Quoddy Head State Park

Finally unpacked, wash is done, house reclaimed and grass is cut. Now to think about all that happened. On the way north we spent two days on Monhegan Island with Holly and Stig—one takes the ferry—no cars—lots of hiking—lots and lots of hiking—beautiful forest and coast line—good food and beautiful music by a woman composer (whose name I’m sorry I didn’t get). She practices on the piano in the little church next to our hotel.

Image of Monhegan Island Image of Sea Gull
Monhegan Island—view from hike and a new friend

Then Sunday, back to rt 1 and north. We stayed at West Quoddy Station in a little cabin called “the Camp”. West Quoddy Station is a repurposed life guard station that is now lodging in one of the most beautiful locations in Maine. About a mile from there is the West Quoddy Head Lighthouse and Quoddy Head State Park which pride them selves as being the most eastern point in the US—the sun does rise early! We met Sunday evening with Michael and the other artists for orientation. Our plan was for me to paint as part of the retreat and Bob would go off and photograph—both happy!

Image of West Quoddy Head Lighthouse Image of Camp at West Quoddy Station
Light house and our home away from home!

Michael mainly is a plain air painter as were most of the others but as this was a “retreat” as opposed to a workshop or class we were free to pursue our own directions. People worked in oils, watercolors or pastels. They came from all over the US and Canada. Days began with a sharing/critique of the previous days work and then we all headed to a specified location to paint. Some days Michael demoed and others he painted with us. Quoddy Head State Park, the fishing village of Lubec and Campobello Island all offered a wealth of locations—the weather was perfect—perhaps too perfect—post card days. Afternoons were free to continue painting, visit other locations, hike or just veg and soak up everything. Many peopled worked as long as there was light! On the third day I just sketched and photographed and took it all in.

Image of Quoddy Head State Park
Something around every turn!

I realize that I’m not a plein air painter but rather a painter who enjoys plein air painting as a resource for studio work. It was hot in the sun and working with warm oils was a relatively new experience—didn’t master that this week but I learned a lot. But I did bring back lots to work on and think about during cold winter days in PA.

Image of Quoddy State Park Painting Image of Campebello painting
Two of my quick plein air paintings.